The Blythe Intaglios are the California's Nazca Lines. They are True Mysteries Etched in Earth.
Just a few hours from LA and hard to see from the ground, these mysterious figures were made by California's early inhabitants.
In the vast expanses of California's Colorado Desert, less than four hours from Los Angeles, a series of ancient and enigmatic figures etched into the earth, called the Blythe Intaglios, have long puzzled anthropologists and captivated those who visit them or view them from the sky. They were brought to modern attention somewhat by chance. In 1932, George Palmer, a pilot flying over the Mojave Desert between Las Vegas, Nevada, and Blythe, glimpsed these enigmatic formations, sparking curiosity and interest.
Named for the nearby town of Blythe, California, these large geoglyphs (human-made designs created on the ground by arranging or moving objects in a landscape), sprawl across the desert floor, and are an extraordinary example of prehistoric art, yet they remain one of the lesser-known archaeological wonders of North America. The Colorado Desert, just south of the Mojave, contains the only known desert intaglios in North America.
The Blythe Intaglios are best observed from above by drone or by plane, where their full scale and intricacy become apparent. The largest figure - of a human with outstretched arms - spans an immense 171 feet, an impressive endeavor considering the primitive tools likely used in their creation. One has to wonder why they were created at all since the people who made them certainly had no way of viewing them from the air. In addition to humans, the figures depict animals such as a rattlesnake and possibly a horse (yeah, what is that thing?), as well as geometric shapes, each meticulously carved by removing the dark desert varnish to reveal the lighter soil underneath. Intaglios in general are classified by their shapes, such as anthropomorphs (humanlike), zoomorphs (animal-like) and various geometric shapes.
The intaglios are mostly located along the Colorado River, a fact that some scientists consider significant. Rivers often hold a central place in the spiritual and cultural lives of indigenous peoples. For the tribes associated with the Blythe Intaglios, such as the Mojave and Quechan, the Colorado River was likely a vital part of their spiritual and everyday life. The proximity of these geoglyphs to the river suggests that they could have been part of a broader cultural landscape that included the river as a critical element. The river may have been seen as a source of life and a spiritual boundary, making the nearby land a significant place for creating these monumental figures.
While the Nazca Lines in Peru have gained worldwide fame, the Blythe Intaglios, though similar in form and function, have remained relatively obscure. Most Californians probably have no idea that such unique archaeological artifacts can be found in the state, let alone so close to a major urban center. This obscurity, however, adds to their mystique.
The geoglyphs are believed to date back at least a thousand years, but their exact age remains uncertain. If the quadruped figures represent horses (reintroduced in North America by the Spanish) then a historical date of sometime after the 1500s would be supported. Archaeologist Jay von Werlhof obtained radiocarbon dates for the figures, ranging from 900 BCE to 1200 CE. The human figures, particularly the largest, are thought to represent Mastamho, the creator of life in Mojave and Quechan mythology. The animal figures, like the mountain lions, are steeped in symbolic meaning, potentially reflecting the tribes' cosmology and spiritual beliefs.
The precise purpose of the Blythe Intaglios is a matter of ongoing debate. Some scholars propose that they were part of religious rituals or celestial observances. The alignment and positioning of the figures suggest a possible astronomical function, marking significant events in the lunar or solar calendars. Or perhaps making them was just a fun way to pass the time and express creativity.
Despite their historical and cultural significance, the Blythe Intaglios have not been immune to threats. Off-road vehicle traffic and natural erosion have damaged some of the figures. Conservation efforts are in place, but the remote location and sheer scale of the site present unique challenges. Fences have been erected around some figures to protect them, but much work remains to ensure their preservation.
The Blythe Intaglios are more than just ancient art; they are a way to remember the rich and diverse cultural heritage of the indigenous peoples of the Southwest. These geoglyphs offer a window into a period that likely predates European influence, a past that is integral to understanding the complex and sometimes violent tapestry of American history. Places like the Blythe Intaglios are in constant threat of disappearing forever, but they're important because they connect us with the human past and remind us of the power of human expression over time and the mysteries beneath our feet.
I wonder if these were meant to be viewed from a promontory located at a distance below the figures’ feet. Not quite an aerial view, but a view in which some of the excessively long lines will be fore-shortened to make figures appear normally proportionate. Are there any such promontories from which the figures can be viewed?
We will never know what the ancients meant by the intaglios, but my hope is they were meant to keep the universe going. Like without them in the Colorado Desert, the world would end.